ELVIN JONES
Love and PeaceRecording Date:
April 13-14, 1982
Personnel:
Pharoah Sanders TS
McCoy Tyner P
Jean-Paul Bourelly G
Richard Davis B
Elvin Jones D
McCoy Tyner P
Jean-Paul Bourelly G
Richard Davis B
Elvin Jones D
Review by Scott Yanow
With the exception of one number ("House That Love Built") from 1978 that matches drummer Elvin Jones with the reeds of Frank Foster and Pat LaBarbera, guitarist Roland Prince and bassist Andy McCloud, this CD reissue focuses on an unusual and generally successful reunion session. Drummer Jones and pianist McCoy Tyner have not recorded together that often since leaving John Coltrane's Quartet in late 1965. With Pharoah Sanders (who was part of the reason they departed) on tenor, bassist Richard Davis in the late Jimmy Garrison's spot, and guitarist Jean-Paul Bourelly an added wild card, the musicians avoid Coltrane tunes in favor of newer originals and the standard "Sweet and Lovely." Sanders sounds very much like late-1950s Coltrane; Bourelly is a bit out of place, and Tyner easily takes solo honors. An interesting but not overly memorable outing that was originally cut for the Japanese Trio label and made available in the U.S. by the now-defunct Black-Hawk company.
With the exception of one number ("House That Love Built") from 1978 that matches drummer Elvin Jones with the reeds of Frank Foster and Pat LaBarbera, guitarist Roland Prince and bassist Andy McCloud, this CD reissue focuses on an unusual and generally successful reunion session. Drummer Jones and pianist McCoy Tyner have not recorded together that often since leaving John Coltrane's Quartet in late 1965. With Pharoah Sanders (who was part of the reason they departed) on tenor, bassist Richard Davis in the late Jimmy Garrison's spot, and guitarist Jean-Paul Bourelly an added wild card, the musicians avoid Coltrane tunes in favor of newer originals and the standard "Sweet and Lovely." Sanders sounds very much like late-1950s Coltrane; Bourelly is a bit out of place, and Tyner easily takes solo honors. An interesting but not overly memorable outing that was originally cut for the Japanese Trio label and made available in the U.S. by the now-defunct Black-Hawk company.
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