SEPTEMBER 20

        CHARLES MINGUS
       Five Mingus session

            Recording Date:
                September 20, 1963

           Personnel:
               Eddie Preston     TP
               Richard Williams TP
               Eric Dolphy        AS,FL
               Booker Ervin      TS
               Jaki Byard          P
               Charles Mingus    B,Vo
               Walter Perkins    D
               Dick Hafer      FL,CL,TS
               Jerome Richardson FL,SS,VB
               Britt Woodman   TB
               Don Butterfield    TU

LINK 

Review by Steve Huey
Having completed what he (and many critics) regarded as his masterwork in The Black Saint and the Sinner Lady, Charles Mingus' next sessions for Impulse found him looking back over a long and fruitful career. Mingus, Mingus, Mingus, Mingus, Mingus is sort of a "greatest hits revisited" record, as the bassist revamps or tinkers with some of his best-known works. The titles are altered as well — "II B.S." is basically "Haitian Fight Song" (this is the version used in the late-'90s car commercial); "Theme for Lester Young" is "Goodbye Pork Pie Hat"; "Better Get Hit in Your Soul" adds a new ending. but just one letter to the title; There's also a cover of Duke Ellington's "Mood Indigo,"  Which naturally leads to the question: With the ostensible shortage of ideas, what exactly makes this a significant Mingus effort? The answer is that the 11-piece bands assembled here (slightly different for the two separate recording sessions) are among Mingus' finest, featuring some of the key personnel (Eric Dolphy, pianist Jaki Byard) that would make up the legendary quintet/sextet with which Mingus toured Europe in 1964. And they simply burn, blasting through versions that equal and often surpass the originals — which is, of course, no small feat. This was Mingus' last major statement for quite some time, and aside from a solo piano album and a series of live recordings from the 1964 tour, also his last album until 1970. It closes out the most productive and significant chapter of his career, and one of the most fertile, inventive hot streaks of any composer in jazz history

11757 Theme For Lester Young - 
11758 II B.S. - 
11759 Freedom Impulse A 99, AS 9234-2, IMPD 170 
11760 Better Get Hit In Yo' Soul Impulse A 54, AS 9234-2 
11761 Take The "A" Train unissued 
11762 Mood Indigo Impulse A 54, AS 9234-2

No comments:

Post a Comment